Genealogy Of Amnesia
Symposium | 08. - 11.11.2018
(in English, free admission)
Venue | mumok - Museum moderner Kunst Stiftung Ludwig Wien, Museumsplatz 1, 1070 Vienna, mumok cinema (basement) and mumok lounge (5th floor), barrier-free access
Participants: Ruth Beckermann, Collectif Mémoire Coloniale et Lutte contre les Discriminations: Geneviève Kaninda, Tony Kokou Sampson, Kalvin Soiresse Njall, Nejra Čengić, Marina Gržinić, Araba Evelyn Johnston-Arthur, Sophie Lillie, Pedro Monaville, Max Silverman, Shirley Anne Tate, Šefik Tatlić, Sophie Uitz, Gloria Wekker, Ruth Wodak and Markus Rheindorf
Concept: Marina Gržinić and Sophie Uitz
Technical and organizing support: Valerija Zabret and Ruth Kager
Project team: Sophie Uitz and Šefik Tatlić
Head of the project: Marina Gržinić
Symposium on the silencing of colonialism, anti-Semitism, and contemporary turbo-fascist nationalism in Belgium, Austria, and former Yugoslavia. Re-examining counter-memory and counter-history projects, interventions, and processes of resistance in order to open up spaces for new directions in politics, futurity, and collective struggles.
This symposium is organized as part of the arts and theory based research project »Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality«, funded by the Austrian Science Fund FWF, project number AR439 (2018-2020). https://archiveofamnesia.akbild.ac.at/
About the FWF-PEEK research project:
“Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality” establishes a genealogically constructed map of techniques and procedures of oblivion, silence, and amnesia in regards to Europe’s genocidal past in order to develop emancipatory strategies for rethinking a convivial future in Europe and globally.
We specifically address colonialism (Belgium), anti-Semitism (Austria), and turbo-nationalism (“Serb Republic”), all of which are central but not the sole factors for the construction of the past and the present in these territories. The expansive approach of this research project — covering three seemingly disparate and chronologically distant events — by no means implies a homogenization of the experiences of the dispossessed, the discriminated, and the murdered people and communities. What connects these three historical situations are not only crimes that occurred in a span of a hundred years, but the fact that in all three cases — despite the available evidence of documents, testimonies, and analyses — nation-states, collectives, and identities continue to be built on practices of silence, oblivion, and amnesia.
Our method and format — of interdisciplinary, arts-based research — is conceptually and politically connected to the topic of the epistemology of history. Through theoretical research and artistic practices, a realm for the production of knowledge of history is created. In this regard, it is of the utmost importance to understand how processes of empowerment and strategies are built against the politics of forgetting while addressing, initiating, and facilitating artistic practices and theoretical research.
Public events (in English), free admission
Thursday, November 8, 2018
mumok cinema, Museumsplatz 1, 1070 Vienna, basement
Inaugural opening of the symposium
Greetings: Eva Blimlinger, Rector of the Academy of Fine Arts Vienna
Introduction: Marina Gržinić, head of the research project “Genealogy of Amnesia,” Academy of Fine Arts Vienna; Sophie Uitz, researcher GoA, Academy of Fine Arts Vienna
Keynote: Gloria Wekker (Utrecht University): A Genealogy of Amnesia in Europe
This talk will draw a map of imperial amnesia in The Netherlands and enlarge it with the ways that White Innocence operates in other Western European nations, and will address different aspects of conviviality.
Gloria Wekker in conversation with Birgit Sauer (University of Vienna)
Friday, November 9, 2018
mumok cinema, Museumsplatz 1, 1070 Vienna, basement
Marina Gržinić (Academy of Fine Arts Vienna): Introduction: Burdened by the past, re-thinking the future
Increasingly confronted with a political and social amnesia that draws from the past without any historical context, we have been able to identify a process of de-historicisation and de-politicisation that is exerting great pressure on contemporary art and culture. This process is taking present day Europe as its hostage. The result is amnesia, oblivion, forgetting, and an inability to any relationship with the past.
Collectif Mémoire Coloniale et Lutte contre les Discriminations (Brussels): The Challenges of De-Colonial Movements – The Afrodescendants Facing the Colonial Denial and the Mutations of the Colonial Propaganda in Belgium
The rise of a new generation of Afrodescendants in Belgian society who are calling for an end to Belgian colonial paternalism and attainment of a citizenship that will be respected, is creating a fundamental movement in Belgian society, forcing the political system to adapt.
11:45 a.m.–12:15 p.m.
Sophie Lillie (Vienna): The Burden of Proof. How Neglect, Ineptness and Anti-Semitism Shaped Art Restitution Policies in Post-War Austria
The so-called Mauerbach Collection was a vast number of artworks that had been repatriated to Austria by the US Forces in the early 1950s. The Mauerbach Benefit Sale (1996) was widely perceived as the triumphant closing of the “last chapter” of the Holocaust.
Araba Evelyn Johnston-Arthur (Howard University, Washington DC): (Re)membering Resistances in the African Diaspora in post-Nazi Austria as “Counteramnesic Practice”
Moving the silenced protest politics in the African diaspora during the distinct period of the early 1960s into the center of the analysis, the lecture unearths the urgency of “critical remembering” in light of the supressed presences of these marginalised histories.
3:45 – 4:15 p.m.
Filmscreening The Waldheim Waltz (directed by Ruth Beckermann, Austria 2018, 93 min.)
A film about truth and lies or “alternative facts”. About individual and collective consciousness.
Ruth Beckermann (Vienna) in conversation with Michael Loebenstein (Austrian Filmmuseum Vienna)
Saturday, November 10, 2018
mumok Lounge, Museumsplatz 1, 1070 Vienna, 5th floor
Sefik Tatlić (Academy of Fine Arts Vienna): “New” Fascism. The Aftermath of the Europeanization of Western Balkans and the Necropolitics of Historical Revisionism
This talk analyses “new” racism and fascism in the First World of capital as contemporary iterations of Eurocentric colonial epistemic normative. The talk interprets historical revisionism, the (re)emergence of fascism and necropolitics as parts of the process of structuring necrocapitalist sovereignty on colonial basis.
Pedro Monaville (New York University Abu Dhabi): Between Hauntology and Memory Work. The global afterlives of Belgian colonialism
In the context of the history of Belgian colonialism, this talk addresses the questions: Why are conflicts around memory persisting? And how can memory work about the colonial past help us to live together in the 21st century?
11:30 a.m.– 12 noon
Keynote: Ruth Wodak (Lancaster University and University of Vienna) and Markus Rheindorf (University of Vienna): Austrian Identity after WWII: Contested Narratives and Lingering Silences
In this talk, we investigate how different contested narratives regarding Austria’s past were constructed and debated in official speeches by politicians at commemorative events from 1995 to 2015.
Sophie Uitz (Academy of Fine Arts Vienna): Rethinking Politics, Memory and History after Totalitarianism
This talk discusses political dimensions of the distinction between memory, remembrance, and history, as proposed by Hannah Arendt in the context of her studies on totalitarianism. Writing historically about something one does not want to conserve, demands that the analysis of the past is tied to the faculty of understanding, and to anticipating and imagining new futures.
Max Silverman (University of Leeds): Palimpsestic Memory, Ethics and Performance
In this talk I will discuss transcultural memory in relation to ethics and performance. If a new ethics of memory must accommodate how we are bound to others’ voices, memory as performance means that individuals and communities also actively redefine themselves through this interaction.
Nejra Nuna Čengić (New Europe College Bucharest): What Happened, Happened!
Contrasting the ubiquity of speech about the 1992-1995 war in the media space of Bosnia and Herzegovina to the prevalent silence about this in everyday interactions, this paper investigates how inhabitants of a Sarajevo neighborhood explain silence and speech.
Shirley Anne Tate (Leeds Beckett University): Love for the Dead: The Libidinal Economy of Post-race Conviviality
This talk explores UK post-race amnesia by looking at the written gifts left at the grave of “Little Black Sambo” by walkers which profess love for the Black long-dead. The discussion looks at how white love can be violent consumption when it erases the fact of Black enslavement in the UK within the necessity for tolerant- deracinated conviviality in our post-race times.